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刘向华:“别意”水墨(2020)

发表时间:2020-09-01 09:59作者:admin

“别意”水墨

刘向华(中央民族大学副教授)


笔墨或形式语言之美覆盖不了艺术,即使是中国人的写意,也不是整天搬弄程式锤炼笔墨语言,而是落脚在“意”即思想上。现代艺术的意味不只来自于情感层面的审美趣味判断,更来自于认知层面的思想观念拓展。“以惯例为转移的差异”的观念思想拓展是西方现当代艺术意味的来源;写意所具有的别现代基因在于它不仅是思想观念的表达拓展,其意味还来自对生命本身的成全,中国人讲修身。在个人修身的同时,写意的拓展需成全更多“有意味的生命”。我的方法是把它从高雅的书房里请出来介入社会问题,以此卷入更多的人。生命的意味只能源于生命自身,人性不用表演就自有其真实的力量,当真实刚猛的力量被现实屏蔽时,人性本身退而成为彰显真实的最有效材料手段,即所谓“别意”。我的“别意”水墨项目对于身体在视觉上的肆意玩弄,是没有使命感的,却能产生拒绝,抵抗并挑战现有的规范-教条,限制-禁忌以及由社会体制的资本或威权和移民文化障碍等引起的潜在麻木僵化,由二维的水墨绘画生发出特定场所的“别意”水墨行为和公众参与水墨艺术装置展览和工作坊系列项目,成全更多“有意味的生命”。


“Bie- Meaning” ink art

Liu Xianghua (Associate Professor, Minzu University of China)


The beauty of “Bimo” or formal language can't cover art. Even the Chinese freehand brushwork is not a slogan of stenciling the language, but rather on the "meaning" or thought. The meaning of modern art not only comes from the aesthetic taste judgment of the emotional level, but also from the conceptual expansion of the cognitive level. The expansion of the concept of "conventional shifts" is the source of Western modern and contemporary art meaning. The Bie- modern meaning of Chinese freehand brushwork is not only the expression of ideas, but also the achievement of life itself. Chinese pay attention to self-cultivation. At the same time as personal self-cultivation, the expansion of freehand brushwork needs to achieve more "meaningful life." The author's method is to take it out of the elegant study room to get involved in social problems, and to get involved in more people. The meaning of life can only be derived from life itself. Human nature has its own real power without performing. When the real and fierce power is shielded, humanity itself retreats into the most effective means of demonstrating truth. I's “Bie- Meaning”. The visually random toying of the human body, especially the sexual organs in Liu Xianghua's “Bie- Meaning” ink painting, is called “a style of kid’s toying his cock”. With no sense of mission, it can produce refusal, resistance and challenge to the existing norms-dogmas,restrictions-taboos, and potential ignorance-stiffness caused by capital or authoritarian, and immigration cultural barriers in social systems. From 2D brushwork to the “Bie- Meaning” ink performance and the site-specific public participation ink art installation exhibition and workshop series projects, thus to explore the realization of mutual understanding beyond restrictions via free extension and connection of human body, thereby expanding social justice and civilization, as well as achieving more "meaningful life."



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青埂峰IV 2020 宣纸水墨 68×68cm



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